Imagine Cathy Earnshaw strutting across the moors in red garters and a vintage Galliano coat—it’s a far cry from Emily Brontë’s vision, but Margot Robbie is making it happen, and it’s utterly captivating. But here’s where it gets controversial: is this bold reinterpretation of Wuthering Heights a genius fusion of past and present, or a daring departure that risks losing the novel’s essence? Let’s dive in.
On February 4, 2026, Robbie once again proved why she’s a fashion force to be reckoned with. Fresh off reinventing the press tour with her Barbie looks, she and stylist Andrew Mukamal have now turned their attention to promoting Wuthering Heights. While they’ve already wowed with custom designs from Chanel, Thom Browne, and Schiaparelli—each nodding to Brontë’s world in their own way—their latest move is their most audacious yet. For the film’s London photocall, Robbie stepped out in a piece from John Galliano’s spring 1992 collection, blending historical opulence with modern edge.
Picture this: a full-length toile coat trimmed with pale pink shearling, paired with a black micro miniskirt, a garter belt, and red thigh-high hosiery tied with a pink ribbon. It’s as if Penny Lane from Almost Famous and Empress Joséphine had a fashion baby. Robbie stayed faithful to Galliano’s original runway look, save for one major twist—her footwear. Instead of the two-toned shoes Helena Christensen wore in Galliano’s ‘Napoleon and Joséphine’ show, Robbie opted for custom pale silver, pointy-toe Manolo Blahniks. And this is the part most people miss: this isn’t just a fashion statement; it’s a deliberate echo of the film’s unconventional costumes, which similarly push boundaries.
Robbie’s approach to ‘method dressing’—where her outfits reflect the spirit of her roles—is as bold as her characters. By blending vintage Galliano with Brontë’s timeless themes, she’s sparking conversations about how we interpret classic literature in the modern era. Is this a respectful homage or a risky reimagining? We’ll let you decide.
What do you think? Does Robbie’s vintage Galliano look honor Wuthering Heights, or does it stray too far from Brontë’s vision? Share your thoughts in the comments—we’re all ears!
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