Monia Chokri's 'Think Good' is a gripping portrayal of a woman's struggle against an abusive husband, set against the backdrop of a modern Orthodox Jewish couple. The film, directed by Géraldine Nakache, offers a unique perspective on domestic abuse, infusing it with the intricacies of religious rituals and cultural expectations.
The story begins with Chokri's character, Gil, a camera assistant, and her husband, Jacques (Nils Schneider), meeting in Dubai. Their whirlwind romance leads to pregnancy, and despite initial reservations, they marry. However, Jacques' controlling nature and rigid adherence to religious rules soon become apparent.
One of the film's strengths is its exploration of the religious dynamics within the relationship. Nakache, who grew up in an Algerian Jewish family, ensures that the characters' faith is not just a superficial element but a driving force in their actions. The audience is immersed in the tension between Gil's more relaxed approach to Judaism and Jacques' strict observance, with the latter's desire for control often manifesting in his attempts to dictate Gil's interactions with their Rabbi and the mikvah.
The cinematography, particularly in Scope format, is intimate and unsettling. Close-ups of the couple emphasize the emotional intensity of their interactions, allowing viewers to feel the same distress as Gil. Jacques' belittling of Gil's desires, his suspicion about her past relationships, and his aggressive and passive-aggressive behavior create a suffocating atmosphere.
A particularly harrowing scene occurs at the hospital after Gil gives birth to their daughter, Thais. Jacques' refusal to allow Gil's parents and friends to visit highlights his possessiveness and control, even in the most intimate moments of their lives. The film's use of flashbacks further emphasizes the escalating abuse, making it a deeply unsettling watch.
The isolated countryside setting and the installation of baby monitors throughout the house add to the sense of entrapment. The modern, glass-and-wood house, while aesthetically pleasing, becomes a prison for Gil, with the audience understanding her feelings of entrapment through the cinematography and visual symbolism.
Despite the grim subject matter, there is a glimmer of hope. Nakache introduces a sympathetic rabbi in Dubai who offers wise counsel to Gil, providing a momentary respite from the tension. This character's presence adds a layer of complexity to the religious dynamics within the film.
In conclusion, 'Think Good' is a powerful and thought-provoking film that delves into the complexities of domestic abuse within a religious context. Chokri and Nakache's masterful storytelling, combined with strong performances, create a compelling narrative that resonates with audiences. The film serves as a stark reminder of the dangers of controlling relationships and the importance of recognizing and addressing abuse, regardless of cultural or religious backgrounds.
